Chicken Linen & Glad Sacks: How Feed Sack Packaging Became Fashion, Homeware, and Americana

Packaging has always been more than a container. Packaging reflects culture, technology, and the creative ways people make use of what they have. Long before “upcycling” became a design buzzword, Americans were turning everyday packaging into dresses, quilts, curtains, and table linens. One of the most iconic examples comes from an unlikely source: feed and flour sacks.

At Seedhouse, we’re endlessly curious about material innovation. Sometimes that means looking forward—and other times, looking back. The story of feed sacks is one of the most fascinating intersections of packaging, design, resourcefulness, and style in American history.

From Barrels to Bags: The Birth of the Feed Sack

Before the mid-19th century, flour was sold almost exclusively in heavy wooden barrels. That began to change with the Industrial Revolution. As woven cloth became more affordable, manufacturers started experimenting with woven sacks.

Two advancements accelerated the shift:

  • 1849: Henry Chase, founder of the Chase Bag Company, and inventor John Batchelder developed a chainstitch machine-sewn flour bag.
  • 1864: J.M. Kurd patented a machine that could mass-produce sacks, meeting wartime demand during the Civil War.

By the 1880s, flour mills were printing their names on the bags—an early form of branded packaging. One bag in the Smithsonian bears an 1890 copyright date. And the earliest logoed bags? They featured a mule, created for Ralston Purina.

As milling changed and flour began being sold in smaller quantities, the demand for cotton bags soared. For decades, bag sizes even corresponded to old barrel measures (a 98-pound bag equaled half a barrel) until the War Production Board standardized packaging in 1943.

The Accidental Birth of a Fashion Trend

Cotton feed sacks weren’t meant to be beautiful; they were meant to be functional. But rural families quickly realized that the sturdy cloth could be sewn into clothing, quilts, dishtowels, and more. In the early 1900s, women washed the ink out and used the plain fabric however they needed.

By the 1930s, as the Great Depression hit hard, the practice exploded. Anything that could be reused was. Families turned sacks into: children’s dresses, aprons, curtains, quilts, underwear, kitchen towels. This was survival and they didn’t want anyone to know that they were using feed sacks, so they soaked the logos off the bags and added trim to gussy the designs up. But manufacturers were paying attention.

Dress Print Bags: When Packaging Companies Became Pattern Designers

Realizing their bags were being repurposed into clothing, companies made a bold innovation: print the sacks with patterns women would actually want to wear.

In 1937, the Percy Kent Bag Company pioneered the “dress print bag”, offering florals, stripes, plaids, and novelty prints designed specifically for fashion. These became especially popular during and after World War II, when fabric was rationed. 

Other companies joined in. In the 1940s and ’50s, trade publications like Feedstuffs and Flour and Feed reported on manufacturers competing to attract rural women through design. The Bemis Bag Company even formed panels of farm women who voted on their favorite prints—an early example of consumer research and co-creation. The printed bags were marketed as “Glad Sacks” and described as “gay, colorful, up-to-the-season prints”.

Choosing the prettiest feed sack became a small but meaningful act of personal style.

Chicken Linen: A Rural Economy of Its Own

Feed sacks weren’t just practical. They became currency. In rural areas, especially in the South where poultry farming boomed after WWII, “chicken linen” created its own micro-economy. Women who bought more feed (and therefore had more sacks) often sold extras to neighbors for 20–25 cents apiece.

As one Georgia poultry grower recalled, neighbors would come over to choose patterns, just like selecting bolts of fabric. For a brief moment in time, women—who had little financial autonomy—controlled part of this changing economy. The feed sack had gone from packaging to product.

From Necessity to Nostalgia

By the late 1950s, cotton sacks gave way to cheaper paper and plastic packaging. But the legacy of feed sack fashion lives on. Collectors, quilters, designers, and museums (like the International Quilt Museum’s exhibition “Feed Sacks: An American Fairy Tale”) continue to celebrate the material’s beauty and cultural significance.

What started as a simple improvement in packaging technology became a symbol of resilience, creativity, and American ingenuity.

Material Innovation

Designers know: materials matter. And sometimes the most forward-looking innovations come from understanding how people adapted, reused, and reimagined what they had.

Feed sacks remind us that:

  • Good packaging can have a second life
  • Design responds to culture (and vice versa)
  • A humble material can spark joy, creativity, and economic opportunity

At Seedhouse, we’re always searching for new—and sometimes old—materials that can serve our clients in unexpected ways. The story of ‘chicken linen’ and ‘glad sacks’ is a reminder that great packaging doesn’t end when the product does. Sometimes, that’s where the magic begins.

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